Herein is a collection of rare images of the great singers and songwriters at work and at play plus related artifacts. We’ve tried to offer a cross-section of snapshots of a time and place in the past that has become legendary. You’ll find formal portraits, some in glorious color, informal photos of these musical giants in nightclubs, in rehearsal, composing at the piano, and performing in front of audiences and the microphone.
Here is a list of photos that cover the greatest practitioners of American popular song that spans the generations and genres.
Alfred Dreake gives Patricia Morison reason to sing “I Hate Men” in Kiss Me, Kate.
The original cast album of Ethel Merman in the Music Theatre of Lincoln Center production of Annie Get Your Gun.
Sinatra’s big move came when he left Tommy Dorsey in 1942 (owing Dorsey thousands on his contract), and, from that point on, his career soared. He launched his solo career in a spectacular way, with a week of appearances with Benny Goodman’s orchestra at New York’s Paramount Theater on Times Square. We know now that some of the fans may have been paid to scream—but thousands of girls swooned for free during the weeklong engagement that anointed Sinatra the greatest popular singer of the day. His sense of humor, sex appeal, slight whiff of danger, and those mesmerizing blue eyes—not to mention the carefully chosen songs that resonated with his audience—made him an instant favorite of the bobby-soxers.
Lilo and Peter Cookson in front of Jo Mielziner’s magnificent backdrop for “Can-Can.” The drop was so stupendous, Cole Porter was inspired to write “I Love Paris” after seeing it.
Fred Astaire on “Night and Day”.
It had a long range, very low and kind of very high, and it was long, as they all said, and I was trying to figure out what kind of dance could be arranged for it. I asked him to play it again and again, and after four or five times I began to get with it…It was a known fact that it made the show. “Gay Divorce” had an awfully rough trip when it first opened on the road and later in New York. It was known after it caught on as “The Night and Day Show”.
Nat King Cole’s recording, Ballads of the Day, had an original release date of 1956. The recording includes: “A Blossom Fell”; “Unbelievable”; “Blue Gardenia”; “Angel Eyes”; “It Happens To Be Me”; “Smile”; “Darling, Je Vous Aime Beaucoup”; “Alone Too Long”; “My One Sin”; “Return to Paradise”; “If Love Is Good to Me”; “The Sand and the Sea." Orchestra conducted by Nelson Riddle; by Billy May on “Angel Eyes."
David Hyde Pierce and Michael Feinstein perform at Feinstein’s at the Regency in New York.
Michael Feinstein and Jim Caruso at Cast Party, as Michael Feinstein prepares to perform Irving Berlin’s “There’s No Business Like Show Business” with previously undiscovered lyrics from Berlin.
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