Herein is a collection of rare images of the great singers and songwriters at work and at play plus related artifacts. We’ve tried to offer a cross-section of snapshots of a time and place in the past that has become legendary. You’ll find formal portraits, some in glorious color, informal photos of these musical giants in nightclubs, in rehearsal, composing at the piano, and performing in front of audiences and the microphone.
Here is a list of photos that cover the greatest practitioners of American popular song that spans the generations and genres.
“And Then You Kissed Me” with lyrics by Sammy Cahn and music by Jule Styne.
Jule Styne plays the songs from the new musical Funny Girl for stars Barbra Streisand and Sidney Chaplin
Michael Feinstein and Cheyenne Jackson perform (Feinstein’s at the Regency, NY, NY).
Michael Feinstein meets with Karen Kennedy, singer Bob Kennedy’s (1922-2008) daughter, in Englewood Cliffs, NJ to view her collection.
Michael Feinstein and Rosemary Clooney performed about 200 concerts together.
Michael Feinstein prepares to examine the belongings of composer and arranger Earl Brown, who left Feinstein all of his music when he died.
Michael Feinstein rehearses at Palm Beach Community College, West Palm Beach, FL.
Nat King Cole’s recording, Ballads of the Day, had an original release date of 1956. The recording includes: “A Blossom Fell”; “Unbelievable”; “Blue Gardenia”; “Angel Eyes”; “It Happens To Be Me”; “Smile”; “Darling, Je Vous Aime Beaucoup”; “Alone Too Long”; “My One Sin”; “Return to Paradise”; “If Love Is Good to Me”; “The Sand and the Sea." Orchestra conducted by Nelson Riddle; by Billy May on “Angel Eyes."
“In the Wee Small Hours” sheet music. Propitiously, the 33 1/3 rpm record was just coming into vogue, replacing the 78 rpm disc. On 78s, the choice of songs and their order hadn’t been so important, as individual songs could be easily purchased and played. As the 10-inch 78 was replaced by the LP, Frank Sinatra and his producers were able to imbue these long playing records with concepts, carefully choosing the songs and their order. Once Sinatra was back on top, riding the popularity of such carefully crafted and enduring discs as “In the Wee Small Hours” and “Songs for Swinging Lovers,” Sinatra stayed there.
Fred Astaire on “Night and Day”.
It had a long range, very low and kind of very high, and it was long, as they all said, and I was trying to figure out what kind of dance could be arranged for it. I asked him to play it again and again, and after four or five times I began to get with it…It was a known fact that it made the show. “Gay Divorce” had an awfully rough trip when it first opened on the road and later in New York. It was known after it caught on as “The Night and Day Show”.
Collectors Roy Bishop and Harold Jacobs with Michael Feinstein, Valley Village, CA.
Harold Jacobs and Roy Bishop in their living room with music dealer Beverly Hamer. (photo: Sandy Marrone)
Michael Feinstein visits with legendary singer Margaret Whiting in her Manhattan apartment, where he presented her with a recently recovered recording of one of the programs she made for World War II servicemen.
Marvin Hamlisch plays piano with Michael Fenstein at the Krannert Center for the Performing Arts, Champagne-Urbana, IL.
Michael Feinstein and the U.S. Marine Corps Band perform “We Dreamed These Days,” an original song with music by Feinstein and words by Maya Angelou, composed in 2009 in honor of the Lincoln Bicentennial celebration at the Lincoln Memorial in Washington, DC.
Michael Feinstein with collector Marty Halperin (Woodland Hills, CA) listening to rare recordings of Margaret Whiting performing for an Armed Forces of the United Nations Recording.
Paul Whiteman and his Concert Orchestra play the music of George Gershwin. Whiteman commissioned Gershwin to write a classical piece for the famous Aeolian Hall concert.
Popular song purists tend to dismiss Paul Whiteman because he was dubbed “The King of Jazz.” Whether his was actually a jazz band is beside the point. Whiteman brought popular music into the jazz age as a transitional figure who understood how popular music needed to change.
Songwriter, Mitchell Parish first rejected the song “Stardust” but then relented and wrote the lyrics for the Hoagie Carmichael song in 1929.
David Hyde Pierce and Michael Feinstein perform at Feinstein’s at the Regency in New York.
Michael Feinstein visits legendary television talk show host and collector Joe Franklin in Joe’s Times Square office, which is just one of many locations around New York City where Joe stores his memorabilia.
Michael Feinstein was hired by the Gershwin family to catalog the Gershwin Collection of Recordings in 1976.
Michael Feinstein and Jim Caruso at Cast Party, as Michael Feinstein prepares to perform Irving Berlin’s “There’s No Business Like Show Business” with previously undiscovered lyrics from Berlin.
Michael Feinstein plays a duet with bandleader and collector Vince Giordano in Vince’s Brooklyn home, which houses Giordano’s collection of 33,000 dance band arrangements and a complete array of vintage musical instruments. Here, Michael plays a 1922 Steinway baby grand player piano, while Vince plays a string bass made of aluminum—the high-tech material of the 1920s.
Sheet music from Peter Mintun’s collection of more than 13,000 individual pieces. (courtesy: Peter Mintun)
A vintage magazine cover from Peter Mintun’s collection of 2500 periodicals from the early 1900s. (courtesy: Peter Mintun)
A vintage magazine cover from Peter Mintun’s collection of 2500 periodicals from the early 1900s. (courtesy: Peter Mintun)
Musician, historian, and collector Peter Mintun and Michael Feinstein play piano on Peter’s Welte-Mignon grand.
Michael plays one of Liberace’s rhinestone encrusted pianos in the now-closed Liberace Museum in Las Vegas. Liberace used to travel with his own glazier who was responsible for re-gluing all the rhinestones on his pianos and cars that were damaged in transport.
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